The British Museum's New Korea Show Traces 2,000 Years of Art the Institution Had Never Given Its Own Exhibition Before
Korea, which opens 1 October in the Joseph Hotung Great Court Gallery, is the British Museum's first major exhibition devoted to Korean art and history in more than 40 years, drawing partly on the late Samsung chairman's donated collection.
Thursday, October 1, 2026/2 min read

The British Museum opened Korea on 1 October, a survey exhibition spanning roughly 2,000 years of Korean art and material culture that the museum says is its first major show devoted solely to the country in more than four decades. The exhibition runs in the Joseph Hotung Great Court Gallery through 31 January 2027, according to a report on the opening, and covers objects dating from around 300 BC to the present day.
A collection with a notable donor
Part of the show draws on works from the collection of the late Samsung chairman Lee Kun-Hee, whose family donated more than 23,000 objects to Korea's national museums after his death in 2020, one of the largest art donations in the country's history. The British Museum stop follows earlier showings of material from that donation in Washington D.C. and Chicago, making London the exhibition's European leg on what has become an international tour for parts of the Lee Kun-Hee collection.
Why the gap mattered
A preview of the exhibition framed the more than 40 year absence of a dedicated Korea show at the museum against the global rise of what is widely called K-culture, the wave of Korean film, music and television that has reshaped how audiences worldwide encounter the country, often with little context for the much longer artistic history behind it. Museum curators have said the exhibition is intended to give visitors a sense of the roots beneath that contemporary cultural wave, rather than treating Korean art as a recent phenomenon tied only to current popularity.
What the show includes
The exhibition's objects span ceramics, paintings, metalwork and devotional pieces across multiple Korean dynasties, charting changes in style, religion and daily life over two millennia rather than focusing narrowly on a single period or medium. Framing the show around such a long span lets the museum draw connections between ancient craftsmanship and the design sensibilities still visible in Korean art and consumer culture today, a thread curators have highlighted as part of the exhibition's broader argument.
A busy season for East Asian art in London
The Korea exhibition arrives in the same month that the Dulwich Picture Gallery opens a dedicated show on the Japanese printmaker Hokusai, giving London visitors an unusually concentrated run of major East Asian art exhibitions across the autumn and winter. For a museum that has faced periodic criticism over how it represents and credits the cultures whose objects fill much of its permanent collection, a show built in direct partnership with Korean national museums and drawing on a major Korean private donation offers a different model from some of its more contested holdings.
Running through the winter
With the exhibition open through the end of January 2027, London visitors have a four month window to see a collection that is unlikely to return to the city again soon, given how rarely the British Museum has dedicated a major show entirely to Korean art and how carefully the Lee Kun-Hee collection's international tour appears to have been managed. For anyone with an interest in how a single collection spanning two thousand years was assembled into one coherent narrative, the Great Court Gallery setting gives the show the kind of physical scale the material deserves.
Published in The Outspoken Digest
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